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Serial Shifting; Exercises for the Cello

by Cassia Harvey

Instrumentation
Cello
Publisher
C. Harvey Publications
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Cover of Serial Shifting; Exercises for the Cello
Cover courtesy of C. Harvey Publications

About this piece

Serial Shifting; Exercises for the Cello takes the cellist through the positions with basic shifting exercises. The studies are in rows and patterns, systematically covering "same-finger shifting," "substitution shifting," and "creeping." The first section of the book teaches first to fourth positions, while the second half teaches first to eighth positions. This book can follow a study of the position books (Second Position for the Cello, Third Position for the Cello, Fourth Position for the Cello, and Fifth Position for the Cello) and help the student incorporate their knowledge of individual positions into a reliable shifting technique. Teachers can also assign this book to more advanced students to help solidify their technique as they prepare for the concerto repertoire.

Technical overview

This intermediate cello positions book gives you exercises in rows and patterns that teach you the spaces in each position and improve accuracy.

Technical focus

  • Shifting

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.