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Artificial Harmonics for the Cello, Book One

by Cassia Harvey

Instrumentation
Cello
Publisher
C. Harvey Publications

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Cover of Artificial Harmonics for the Cello, Book One
Cover courtesy of C. Harvey Publications

About this piece

This study of artificial harmonics on the cello begins by strengthening the thumb so it can hold the string down on its own. At the same time, the book addresses the placement of the third finger. Artificial harmonics are a type of “blind” octave where the traditional octave hand position must be memorized and relied upon. Advanced cellists can use this book after Octaves for the Cello, Books One through Five, to prepare for artificial harmonics found in the solo cello literature.

Technical overview

Advanced cellists can work on the technique behind artificial harmonics and master this important skill.

Technical focus

  • Harmonics

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.