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The Triplet Book for Cello, Part One: First Position Closed

by Cassia Harvey

Instrumentation
Cello
Publisher
C. Harvey Publications
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Cover of The Triplet Book for Cello, Part One: First Position Closed
Cover courtesy of C. Harvey Publications

About this piece

The Triplet Book for Cello, Part One helps you easily play pesky triplets. ​While it can be awkward and even difficult to play groups of three notes evenly, there is help! Using finger and bow studies and fiddle tunes, these cello exercises focus on helping you overcome specific difficulties in triplet playing. From the Breval Sonata in C Major and the Romberg Sonata in E minor to the Bach Solo Cello Suites, cello repertoire has triplets everywhere; learning to play triplets well is essential! Who this book is for: Beginning and intermediate cello students who want to play triplets better. How to use this book: Play two pages at a time, at the beginning of your practice. This book can be used as as cello warm-up. Play with a metronome if possible. This book can be played after Finger Exercises for the Cello, Book One, and could be followed by The Triplet Book for Cello, Part Two.

Technical overview

A beginning cello technique book that helps you play with faster fingers and better intonation in groups of three notes.

Level rubric

Early Intermediate

Left Hand

  • Regular shifting among 1st–4th positions.
  • Frequent shifts with target notes & prepared approaches.
  • Introduce ornamentation (grace notes, slow trills, turns).
  • Begin basic double stops (often with one open note).
  • Combine extensions with shifting.
  • Consistent vibrato on sustained notes with speed variations.

Right Hand

  • Bow arm gains finesse and speed.
  • Introduce controlled spiccato.
  • Sautillé appears in rapid passages.
  • Expand legato into longer, sustained lines.
  • Practice advanced articulations (martelé, refined string crossings).
  • Add complex strokes for double stops/chords.

Bow Strokes

  • Use context‑appropriate strokes: legato, spiccato, martelé.
  • Subtle bow changes during string crossings.

Rhythm & Musicality

  • Increased challenges: sixteenths, dotted rhythms, syncopation, contrasting subdivisions.
  • Emphasize expression with crescendos/decrescendos & vibrato.
  • Balance technical precision with emotional delivery.

Levels are approximate guides, not strict requirements.