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Cello Sonata in D major, Op. 17

by Luise Adolpha Le Beau

Instrumentation
Cello, Piano
Composed
1878
Duration
17'
Publisher
Hildegard Publishing Company
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About this piece

Le Beau wrote this D major sonata in 1878 and entered it in the competition for new cello works announced by the Neue Zeitschrift für Musik in 1880 (judged by Gade, Reinecke and Bernuth), alongside the fifteen-year-old Richard Strauss. Neither sonata won, though her Four Pieces, Op. 24, took a prize; she found a publisher in August Cranz, who also had the sonata arranged for violin. Steven Isserlis, who recorded it for Hyperion, hears Mendelssohn's influence in every movement and praises its sunny energy and winning melodies, calling its neglect inexplicable. The ravishing Andante tranquillo shows the cello's tender side before a virtuosic Allegro vivace finale.

Technical overview

Three movements: Allegro molto, Andante tranquillo, Allegro vivace. The finale is described as virtuosic for the cello and the piano part borders on virtuosic; the writing is lyrical and Mendelssohnian throughout. Hildegard's edition pairs a reprint of the original piano score with a newly engraved cello part.

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.