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Sonata for Viola (or Cello) and Piano

by Rebecca Clarke

Instrumentation
Cello, Piano
Composed
1919
Duration
22'
Publisher
Hildegard Publishing Company

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About this piece

Clarke's best-known work, composed between April and July 1919 and a prize-winning sensation at that year's Berkshire Festival. Chester published it in 1921 as a sonata for viola (or cello) and piano, and Clarke made the cello version herself with the help of her friend the cellist May Mukle. The three movements - a sweeping Impetuoso that opens with a fanfare, a quicksilver Vivace full of harmonics and pizzicato, and a pensive Adagio that recalls the first movement's themes before a brilliant close - draw on Debussy's modes and whole-tone colours as well as English pastoral lyricism. The first page carries a line from Alfred de Musset: 'Poet, take your lute; the wine of youth'.

Technical overview

Three movements: Impetuoso - ma non troppo Allegro (quarter = 116), Vivace (dotted quarter = 116), Adagio (quarter = 48). The Vivace uses harmonics and pizzicato; the finale builds to a 'pyrotechnical' climax; the writing is highly idiomatic but presents many obstacles, with a piano part of equal difficulty.

Technical focus

  • Harmonics

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.