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Divertimento for Cello and Piano

by Elizabeth Maconchy

Instrumentation
Cello, Piano
Composed
1943
Duration
12'28''
Publisher
Alfred Lengnick & Co.
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About this piece

A witty, off-beat suite of five miniatures written in 1941-43 for the cellist William Pleeth and pianist Margaret Good, who gave the first broadcast on the BBC Latin American Service in March 1943. The opening Serenade, the longest movement, is suffused with Latin-American dance rhythms; 'Golubchik' turns to a Russian mood; 'The Clock' is a pizzicato tick-tock miniature that strikes nine; 'Vigil' is a vibrant, prayerful slow movement; and a dapper 'Masquerade' closes the set. Reviewers call it one of Maconchy's most characterful and approachable works.

Technical overview

Five short movements with contrasting characters, including a pizzicato movement ('The Clock') and a sustained slow 'Vigil'; one reviewer describes the set as 'skilfully written and idiomatic' with angular wit and a wide range of colours.

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.