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Grand Duet

by Galina Ustvolskaya

Instrumentation
Cello, Piano
Composed
1959
Duration
26'
Publisher
Sikorski
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About this piece

Ustvolskaya's largest chamber work, composed in 1959 and dedicated to Mstislav Rostropovich, though it waited until December 1976/77 for its first performance in Leningrad by Oleg Stolpner and Oleg Malov. Its five movements, around 26 minutes in all, are strongly rhetorical: an icy, percussive piano part, hammered repetitions and stark asymmetrical polyphony carried by relentless rhythm, with Shostakovich's shadow more audible here than in her later 'Compositions'. Its 1986 Vienna performance helped bring her music to the West; Rostropovich later recorded it with Alexei Lubimov in a recording the composer preferred.

Technical overview

Five movements of extreme intensity and stamina; sources describe hammered repeated notes, violent dynamics and asymmetrical polyphonic construction against a percussive piano part (one search summary of a Sikorski article mentions missing bar lines and a double-bass bow in the third movement, but that page could not be opened).

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.