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Dances

by Ned Rorem

Instrumentation
Cello, Piano
Composed
1983
Publisher
Boosey & Hawkes

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About this piece

A suite of seven short dances for cello and piano: Prelude, Valse rappelée, Adagio, Pas de deux, The Mirror Toccata, Scherzo and The Return. The commission from the Music Study Club of Metropolitan Detroit asked for one bowed instrument and piano, and Rorem chose the cello, a pairing he had not written for before. A reviewer hears an 'intimate conversation between cello and piano', with the cello singing over the piano's 'occasionally wonky in-and-out cadences' and an 'odd, slightly drunken waltz' at its heart. Boosey & Hawkes published the score and part in 1984; two movements (Adagio and Pas de deux) also appear in The Boosey & Hawkes Cello Anthology.

Technical overview

No technical overview is available yet.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.