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Suite for Cello and Piano

by Tobias Picker

Instrumentation
Cello, Piano
Composed
1998
Duration
27'
Publisher
Schott
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About this piece

A substantial four-movement suite, Serenade, Daylight, Lament and Alone, written for Lynn Harrell on a commission from ten organisations including the Boston Symphony Orchestra, the Chamber Music Society of Lincoln Center, the Library of Congress, the Ravinia Festival, San Francisco Performances and the Santa Fe Chamber Music Festival. Harrell gave the premiere at San Francisco's Herbst Theater in January 1999. The music was inspired in part by poems of E. E. Cummings, Salvatore Quasimodo and W. S. Merwin, and the Edition Schott score (ED 30004, 58 pages with part) was edited by Harrell and pianist Simon Mulligan.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.