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Sonata for Cello and Piano (Left Hand) "Les Adieux"

by Stephen Hough

Instrumentation
Cello, Piano
Composed
2013
Duration
20'13''
Publisher
Josef Weinberger
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About this piece

Hough wrote this sonata in 2013 at Steven Isserlis's request for a pianist friend who had lost the use of his right hand; the friend recovered and never played it, so Hough gave the premiere himself with Isserlis at Kronberg, followed by Tetbury and Wigmore Hall. The piano part is for the left hand alone, which gives the work its dark, distinctive texture. Hough says the subtitle 'Les Adieux' is not programmatic but underlines the sonata's melancholy and conjures ghosts of Beethoven and Dussek. It plays continuously in three related sections, opening with the cello's pizzicato A string and ending with the cello pizzicato on the open C string.

Technical overview

The booklet note (Isserlis) describes an opening pizzicato idea that grows to a passionate climax, a central section marked 'Im Legendenton' with an Eastern flavour in lyrical semiquavers shared between the instruments, and a fiery cello cadenza before a gentle coda.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.