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Third Suite for Cello, Op. 87

by Benjamin Britten

Instrumentation
Cello
Composed
1971
Duration
22'
Publisher
Faber Music

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About this piece

Britten's last suite, written in 1971 after hearing Rostropovich play the Bach suites, is built on four Russian themes: three folk-song arrangements by Tchaikovsky and the Kontakion (the Orthodox hymn for the departed), which are only stated plainly at the very end of the closing Passacaglia, Beethoven's Razumovsky quartets being the obvious precedent. Nine movements run without pause. Rostropovich premiered it in December 1974; Julian Lloyd Webber made the first recording in 1979. Sold by Faber in the collected Three Suites volume.

Technical overview

Wide range of character writing: a Marcia, a Barcarolla, a two-voice Dialogo, a fugue, a 'fantastico' recitative, a Presto moto perpetuo and a slow Passacaglia.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.