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Sonata for Cello and Piano, Op. 6

by Samuel Barber

Instrumentation
Cello, Piano
Composed
1932
Duration
19'
Publisher
G. Schirmer

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About this piece

Barber wrote his only cello sonata in 1932, aged 22, while finishing his studies at the Curtis Institute, and dedicated it to his composition teacher Rosario Scalero. Cast in C minor, it is openly romantic and Brahmsian in spirit: a broad Allegro ma non troppo, a slow movement that folds a scherzo inside its Adagio, and an Allegro appassionato finale. Orlando Cole and the composer gave the premiere at a League of Composers concert in 1933. Published by G. Schirmer (28 pages, distributed by Hal Leonard); the Adagio is also in the G. Schirmer Cello Anthology.

Technical overview

Wikipedia describes it as a romantic work, profound and passionate, in the manner of Brahms; the second movement folds a Presto scherzo inside its Adagio.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.