Skip to content

Concerto for Cello and Orchestra, Op. 22

by Samuel Barber

Instrumentation
Cello, Orchestra
Composed
1945
Duration
28'30''
Publisher
G. Schirmer
More by this composer

Purchase or download

About this piece

Commissioned through Serge Koussevitzky for the Russian-born cellist Raya Garbousova and the Boston Symphony, with funding from the amateur cellist and BSO trustee John Nicholas Brown (the score is dedicated to John and Anne Brown). Barber, still in the Army Air Forces, had Garbousova play through her repertoire so he could write for her strengths; she premiered it in Boston on 5 April 1946. Three movements, with a long-breathed Andante sostenuto at the centre. G. Schirmer publishes the piano reduction (52 pages) and a study score, with orchestral material on hire.

Technical overview

Extreme technical demands in the solo part, which also carries Raya Garbousova’s heavy editing (Wikipedia).

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.