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Sonata for Cello and Piano

by George Walker

Instrumentation
Cello, Piano
Composed
1957
Duration
17'
Publisher
Lauren Keiser Music Publishing
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About this piece

George Walker, the first Black composer to win the Pulitzer Prize for Music, wrote this sonata in 1957 as his studies were ending. He had trained at the Curtis Institute, with Samuel Barber for composition and Piatigorsky and Primrose for chamber music, and then with Nadia Boulanger at Fontainebleau. Walker named Debussy, Hindemith and Stravinsky among his heroes, and the sonata's language also draws on spirituals and jazz. Paul Olefsky gave the first public performance in New York in 1964 with Walker at the piano, and Janos Starker took it up in 1976. First published in 1972, it is now issued by Lauren Keiser Music Publishing in a performance edition. Recent recordings, including Laura van der Heijden's on Chandos (2024), have brought it renewed attention.

Technical overview

Three movements, about 17 minutes: a tightly organised, hard-driven Allegro passionato with frequent tempo changes; a lyrical Sostenuto; and a short Allegro that accelerates into a Presto coda. Neoclassical in design, with a tonal language coloured by spirituals, blues and jazz.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.