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In croce

by Sofia Gubaidulina

Instrumentation
Cello, Organ
Composed
1979
Duration
15'
Publisher
Sikorski
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About this piece

In croce ('on the cross') is one of Gubaidulina's best-known works. She wrote it in 1979 for the cellist Vladimir Tonkha, who premiered it in Kazan on 27 March 1979 with the organist Rubin Abdullin. The title describes its design: the two instruments begin at opposite ends of the register and gradually cross, exchanging places by the end, with an intense climax at the crossing point. Gubaidulina revised it in 1991, and with the accordionist Elsbeth Moser made a version for cello and bayan (Russian button accordion) that is now often played. There are also versions for double bass. Sikorski publishes the cello-and-organ original (SIK 1829) and the cello-and-bayan version, both represented worldwide by Boosey & Hawkes.

Technical overview

A single movement of about 15 minutes, built on the two parts exchanging registers, so the cello line moves from one end of its range to the other and builds to an intense climax where the lines cross.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.