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Decolonization

by Dawn Avery

Instrumentation
Cello
Duration
7'30''
Publisher
Dawn Avery
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About this piece

One of Dawn Avery's own contributions to her North American Indian Cello Project, the series of works by Native American composers that she has commissioned and toured since 2006. She recorded it live at Montgomery College, where she teaches, alongside commissions by Juantio Becenti, Brent Michael Davids and Raven Chacon. Avery, a Grammy-nominated cellist and composer of Mohawk heritage, has written about the project and the wider 'Native Classical' movement in her doctoral dissertation and in the journal MusiCultures.

Technical overview

A piece of about 7½ minutes performed by the composer as part of the North American Indian Cello Project programme.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.