Skip to content

Chanson triste, Op. 40 No. 2

by Pyotr Ilyich Tchaikovsky · arranged by Johannes Palaschko

Instrumentation
Cello, Piano
Composed
1878
Duration
3'
Publisher
Schott
More by this composer

Purchase or download

About this piece

Chanson triste (Sad Song) is No. 2 of Tchaikovsky's Twelve Pieces for piano, Op. 40, subtitled 'of moderate difficulty'. He wrote them between February and April 1878, working in Florence, Clarens and Kamenka. Jurgenson published the set in 1879 with a dedication to the composer's brother Modest. The piano original is a 68-bar Allegro non troppo in G minor. A plaintive, step-wise melody is heard first, then a 'Poco più mosso' middle section, then the tune returns quietly. Johannes Palaschko's arrangement for violin or cello and piano is published by Schott as a single edition (ED 2415, © 1913), with separate violin and cello parts. Hal Leonard distributes it as HL 49008670. Other cello arrangements are set for exams: Legg & Gout's (Faber, Learning the Tenor Clef) for ABRSM Grade 5, Draths's (Schott, Best of Cello Classics) for Trinity Grade 5, and the Suzuki Cello School Book 4 version for RCM Grade 6 and ASTACAP Level 4. Andrés Díaz recorded a cello-and-piano version with Samuel Sanders on Russian Romantics for Cello and Piano (1993).

Technical overview

One movement of about three minutes in G minor: Allegro non troppo, a 'Poco più mosso' middle section, then a return to the opening. In Palaschko's cello part the long-breathed tune moves between bass and tenor clef. It is mostly in slurred pairs of tenuto (portato) crotchets, with dynamics from mf down to ppp, many hairpins and a ritardando. The closing bars appear to be marked 'o' as natural harmonics.

Technical focus

  • Legato
  • 2 Note Slurs
  • 3 Note Slurs
  • 4 Note Slurs
  • Dynamics
  • Hairpin Dynamics
  • Shifting

Level rubric

Intermediate

Left Hand

  • Fluent in positions 1–4 with confident shifts & reliable intonation.
  • Introduce 5th position via scales/études.
  • Learn tenor clef for higher passages.
  • Early exposure to thumb position basics.
  • Refine combined shifting & extensions.
  • Advance double stops (two‑note chords).
  • Refine vibrato for expressive shaping.

Right Hand

  • High control over multiple bow strokes.
  • Advanced spiccato for fast passages; reliable sautillé.
  • Apply martelé at frog and mid‑bow.
  • Execute rapid string crossings with minimal arm movement.
  • Adjust contact point to modulate tone.
  • Introduce complex bow patterns & chord rolling.

Rhythm & Musicality

  • Faster tempos & varied meter challenges.
  • Tackle compound meters, intricate ornaments & syncopation.
  • Deepen expressive phrasing; analyze piece structure.
  • Clear dynamic contrasts; introduce slight rubato.
  • Enhance ensemble sensitivity.

Levels are approximate guides, not strict requirements.