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Nocturne

by Lili Boulanger · arranged by Paul R. van der Reijden

Instrumentation
Cello, Piano
Composed
1911
Duration
3'
Publisher
Musica Deliberata
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About this piece

Lili Boulanger wrote this short piece in October 1911; the autograph for flute and piano is titled "Pièce courte". Ricordi published it in 1918 as Nocturne for violin (or flute) and piano. It is dedicated to her friend Marie-Danielle Parenteau. The violin version was first performed on 17 December 1915 at the Petit Palais in Paris by Émile Mendels, with the composer at the piano. The French Wikipedia article quotes Launay describing it as "au profond lyrisme", and Naoumoff as written "tout entier en lignes simples et poétiques". Paul R. van der Reijden's cello arrangement (Musica Deliberata, 2016) is a free cello part on IMSLP under a CC BY 4.0 licence, to be played with Boulanger's original piano part (the 1918 Schirmer edition is also on IMSLP). Cello recordings include Anouchka and Katharina Hack (Berlin Classics) and a historic recording by Pierre Fournier. It is set for Trinity Cello Grade 8 (Group B).

Technical overview

A single slow movement (Assez lent, about 3 minutes) in F major: a long-breathed legato line with dotted figures, frequent tempo changes (à l'aise, Un peu animé, en s'éloignant) and a muted, very soft close. The middle climax has fast rising scale runs of 7, 9 and 11 notes and leaps into the upper register, which need secure shifting, an expressive vibrato ("Très vibrant") and close dynamic control.

Technical focus

  • Legato
  • Dotted Rhythms
  • Shifting
  • Vibrato
  • Rubato
  • Dynamics
  • Hairpin Dynamics
  • Tenor Clef
  • Treble Clef
  • Mute usage
  • Tempo Changes
  • Accidentals
  • Rhythm

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.