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Romance et tarantella

by Alberto Nepomuceno

Instrumentation
Cello, Piano
Composed
1889
Duration
8'
Publisher
Public Domain

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About this piece

Alberto Nepomuceno's two cello pieces are a Romance (1889) and a Tarantella in C minor (1899). IMSLP gives the dedication as 'a son ami M. B. Niederberger' and records a first performance of the versions with piano at the Clube dos Diários in Petrópolis in 1902. Sampaio Araújo published the pair. Nepomuceno later scored both for cello and orchestra: the Tarantella in 1899, and the Romance in 1908 for cello and string orchestra, a version premiered during the 1908 National Exhibition in Rio according to Musica Brasilis. The original piano part was lost. IMSLP has the composer's own manuscript of the Tarantella, from the Biblioteca Nacional do Brasil, noting that he 'restored the accompaniment, the original having gone astray' for Carmen Braga on 20 June 1917. Cellist Adriana Holtz and pianist Karin Fernandes have released what Fernandes calls the 'world first recording' of the pair with piano. Musica Brasilis offers a free typeset edition of the Romance in its string-orchestra version, with score and parts.

Technical overview

Two pieces, about 8 minutes together in the Holtz/Fernandes recording. The Romance (Andante, 3/4, about 80 bars) is a lyrical solo line. In the Musica Brasilis solo part it moves between tenor and treble clef, with triplet figures and a stretch of running sixteenths, and it ends on harmonics and a held high A in treble clef, so secure thumb position is needed. The Tarantella in C minor is a fast dance piece; I did not see its music pages.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.