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Thistle and Lace

by Kaitlyn Raitz

Instrumentation
Cello, Cello
Composed
2019
Duration
5'22''
Publisher
Kaitlyn Raitz
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About this piece

Kaitlyn Raitz wrote Thistle and Lace in 2018 as a duo for violin and cello, commissioned by the Lotus Chamber Music Collective in New York. Lotus players Tiffany Weiss (violin) and Sasha Ono (cello) performed it, and Raitz recorded it with violinist Lauren DeRoller. She later arranged it for two cellos for the Canadian cello duo VC2 (Amahl Arulanandam and Bryan Holt), who played it on her livestream series Floor Fiddle Fridays. The opening, marked 'still' (crotchet = 76), sets high double stops in the first cello against harmonics in the second. A section marked 'slightly forward' follows, with chordal off-beat writing and ringing open-string bass fifths, and then driving semiquaver double stops. Like much of Raitz's music it draws on folk idioms. The score and parts for the cello duo are sold as a PDF from her website.

Technical overview

A single movement of about 5½ minutes for two equal cellos. Cello 1 plays in tenor clef in the high register, mostly in double stops. Cello 2 has natural and artificial harmonics, open-string fifths, and accented repeated semiquaver double stops. Both parts need close ensemble on off-beat entries and subito dynamics.

Technical focus

  • Ensemble Skills
  • Double Stops
  • Harmonics
  • Shifting
  • String Crossings
  • Dynamics
  • Hairpin Dynamics
  • Rhythm

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.