Skip to content

Après un rêve, Op. 7 No. 1

by Gabriel Fauré · arranged by Pablo Casals

Instrumentation
Cello, Piano
Composed
1877
Duration
3'
Publisher
International Music Company
More by this composer

Purchase or download

About this piece

"Après un rêve" ('After a dream') is one of Fauré's most popular songs. He composed it around 1877 to Romain Bussine's free French adaptation of an anonymous Italian poem, in which a dreamer longs to return to the 'mysterious night' of a dream of flight with a lover. Choudens published it in 1878, and it later became the first of the Trois mélodies, Op. 7. Cellists have long played it, and this entry is Pablo Casals's transcription for cello and piano, published by International Music Company (Int. 540, 'Ed. Pablo Casals'). The cello takes over the long vocal line, whose flowing triplet groups give the song its floating rhythm. The original song and several free modern cello arrangements, including Jean-Pierre Coulon's, are on IMSLP; Schott also publishes an edition arranged by Susanne Richter. Recorded performances include Sheku Kanneh-Mason and Gautier Capuçon.

Technical overview

A single Andantino song of about three minutes. The cellist needs a sustained cantabile legato, even quarter-note and eighth-note triplets mixed with duple groupings, shifting across the upper strings, and long dynamic swells from pp to f.

Technical focus

  • Legato
  • Rhythm
  • Shifting
  • Dynamics
  • Hairpin Dynamics

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.