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Träumerei, Op. 15 No. 7

by Robert Schumann · arranged by Friedrich Grützmacher

Instrumentation
Cello, Piano
Composed
1838
Duration
3'
Publisher
Edition Peters
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About this piece

Träumerei ('Dreaming') is No. 7 of Kinderszenen, Op. 15, Schumann's 1838 cycle of short piano pieces published by Breitkopf & Härtel in 1839. This entry is the cello-and-piano transcription by Friedrich Grützmacher (1832-1903), No. 4 of his 12 Ausgewählte Compositionen of Schumann pieces for cello and piano (Edition Peters EP 2375, still in print). Grützmacher has a direct link to Schumann's cello music: according to Henle he gave what is traditionally counted as the first public performance of the Fünf Stücke im Volkston, Op. 102, with Clara Schumann at the Leipzig Gewandhaus in 1859. His version moves the piece to G major and asks for a mute ('con Sordino'), and the cello carries the melody high in the tenor clef with detailed fingerings. Cellists including Mstislav Rostropovich and Mischa Maisky have recorded Träumerei with piano. Their recordings do not necessarily use this arrangement. The original Peters edition is free from the Sibley Music Library and IMSLP, and Schumann's piano original is free on IMSLP too.

Technical overview

One slow piece (Andante, con sordino), about 2½-3 minutes, in G major in this arrangement. The cello part shifts constantly between bass and tenor clef, has long legato slurs across shifts, and uses thumb position (marked) in the upper register. It calls for rubato (poco animato, poco rall., a tempo, ritard.) and close control of dynamics from pp to f.

Technical focus

  • Legato
  • Shifting
  • Thumb Position
  • Dynamics
  • Hairpin Dynamics
  • Rubato

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.