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Caprice and Elegy

by Frederick Delius

Instrumentation
Cello, Orchestra
Composed
1930
Duration
8'20''
Publisher
Boosey & Hawkes
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About this piece

Delius composed these two short pieces in 1930 for the cellist Beatrice Harrison, a longtime champion of his music. By then he was blind and paralysed, and both pieces, built on earlier unfinished sketches, were completed by dictation to his amanuensis Eric Fenby, who wrote out the scores and also made the cello and piano arrangement. Harrison played the work on her 1930 tour of the United States and gave it with piano at Wigmore Hall in London on 23 April 1931. Hawkes & Son published the full score and the cello and piano parts in 1931, and Harrison recorded the pieces for His Master's Voice with Fenby conducting. Later recordings include Julian Lloyd Webber with Fenby and the Royal Philharmonic Orchestra (1981) and Lloyd Webber with Neville Marriner. Boosey & Hawkes sells Fenby's cello and piano version separately and in the Collected Edition volume 31c, Works for Cello & Piano.

Technical overview

Two short movements, Caprice and Elegy, lasting about eight minutes together; the Elegy can be played on its own. Both demand a singing tone and phrasing across a lyrical, chromatic late-Delius texture.

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.