Skip to content

Eidolon

by Dylan Lardelli

Instrumentation
Cello
Composed
2001
Duration
9'
Publisher
SOUNZ
More by this composer

Purchase or download

About this piece

Eidolon is a nine-minute work for solo cello by the Ngāti Porou and Ngāi Tūhoe composer Dylan Lardelli. SOUNZ dates it to 2001, and it is dedicated to the cellist Mok-Hyun Gibson-Lane, whose performance on 11 April 2002 is the earliest SOUNZ lists. Gibson-Lane recorded it for Waiteata Collection of New Zealand Music Vol. 7: Emerging Composers (Waiteata WTA007, 2003), and it was played again at Contemporary Visions 20 in April 2009. The score, headed 'Broad and Smooth' (crotchet = 48), is a study in fragile colours: lightly touched harmonics (diamond noteheads), left-hand and snap pizzicato, playing on a single named string (sul D, sul G, sul C, sul A), glissandi, sul ponticello, flautando, col legno battuto and a bounced-bow passage, all in constantly changing metres. A typeset hardcopy score (© 2003 Dylan Lardelli) can be bought or borrowed from SOUNZ, the Centre for New Zealand Music.

Technical overview

A single movement of about 9 minutes, written in bass and tenor clefs and reaching high into the tenor register, in metres that change almost every bar (4/4, 7/8, 5/8, 3/8, 5/4, 3/4). It asks for natural harmonics, left-hand and snap (Bartók) pizzicato, pizzicato chords, sul-string playing, glissandi, sul ponticello, flautando, col legno battuto, ricochet bouncing and very fine dynamic control from ppp to più f.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.