Skip to content

Cantigas

by Evan Williams

Instrumentation
Cello, Piano
Composed
2015
Duration
10'
Publisher
ADJ•ective New Music
More by this composer

Purchase or download

About this piece

A seven-movement suite for cello and piano from 2015, commissioned by cellist William Jason Raynovich and pianist Mark Sudeith with support from the Music Department at Chicago State University. Six of the movements take their starting point from songs in the medieval Galician-Portuguese Cantigas de Santa Maria. According to the composer's note, he borrowed pitch material, motives or melodic contours from each cantiga as the seed for new music, so the source melodies are often hard to recognise.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.