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Polish Caprice (Kaprys polski), arr. for solo cello

by Grażyna Bacewicz · arranged by Andrzej Orkisz

Instrumentation
Cello
Composed
1949
Duration
3'
Publisher
PWM Edition, Kraków (Miniatury Wiolonczelowe No. 30; product code 9231; print on demand)

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About this piece

Bacewicz, a concert violinist as well as a composer, wrote Polish Caprice for unaccompanied violin in 1949; PWM calls it one of her better-known violin works. Her Polish publisher, PWM, issues a transcription for solo cello by Andrzej Orkisz as No. 30 of its Miniatury Wiolonczelowe series (four pages). PWM's description lists the technical demands: thirty-second-note passagework, playing in high positions on the G string, and broken two- and three-note chords. The Orkisz version is in the concert repertoire; for example, Marie Spaemann played it at the Vienna Konzerthaus in 2010.

Technical overview

A three-minute unaccompanied showpiece. According to PWM, it combines fast thirty-second-note runs, high positions on the G string and broken two- and three-note chords.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.