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Cello Concerto No. 3: Legend of the Phoenix

by Augusta Read Thomas

Instrumentation
Cello, Orchestra
Composed
2012
Duration
26'
Publisher
G. Schirmer (Wise Music Classical)
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About this piece

A large single-movement concerto commissioned by the Boston Symphony Orchestra for Lynn Harrell, who premiered it with the BSO under Christoph Eschenbach on 14 March 2013. Thomas composed it in 2012 and calls it "Scenes with Arias" with the cello as a singing storyteller (composer's note); contrasting sections run without a break, including jazz-inflected, spiccato and pizzicato passages, and the work begins and ends on the note A. The phoenix title came to the composer during composition and is not a programme.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.