Skip to content

Chant

by Augusta Read Thomas

Instrumentation
Cello, Piano
Composed
1991
Duration
10'
Publisher
G. Schirmer (Hal Leonard)
More by this composer

Purchase or download

About this piece

A ten-minute work for cello and piano, commissioned by the Library of Congress and premiered by the Fischer Duo at Rice University on 21 January 1992; Kate Dillingham commissioned a revision, which she premiered with Blair McMillen at Merkin Hall, New York, on 16 April 2002. It opens with a virtuosic high cadenza for the cello and moves through four or five contrasting episodes, with unison running passages for both players; Thomas names Brahms, Messiaen, Debussy, jazz and Berg as influences. There are two optional endings, one quiet at about 9 1/2 minutes and a longer one at about 11 minutes that returns to the solitary mood of the opening.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.