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Variations on a Theme from Vaughan Williams' 'Job'

by Elizabeth Maconchy

Instrumentation
Cello
Composed
1957
Duration
11'24''
Publisher
Alfred Lengnick & Co. (Lengnick), cat. AL1044A

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About this piece

A set of variations for unaccompanied cello on a theme from Job, the ballet by Ralph Vaughan Williams, who had taught Maconchy at the Royal College of Music. Maconchy wrote it in 1957. The St Hilda's College handlist of her papers records an ink manuscript and a published score of the work. Lengnick publishes it, and cellist Antony Cooke recorded it on the 1997 album The Power of the Cello (Resort Classic).

Technical overview

An unaccompanied concert set of variations lasting about 11 minutes. No score pages were available to check its specific technical demands.

Level rubric

Advanced

Left Hand

  • Unrestricted fingerboard operation.
  • Effortless high‑register passages with thumb position.
  • Execute large leaps, rapid shifts & fast runs with precise intonation.
  • Render double stops with clarity and even vibrato.
  • Crisp, stylistically appropriate ornamentation (trills, turns, mordents).
  • Instinctive micro‑adjustments in intonation for expressiveness.
  • False harmonics in low positions

Right Hand

  • Complete command of all bow strokes at any tempo/dynamic.
  • Comfortable execution of virtuoso passages (sautillé, intricate ricochet).
  • Tone projection from whisper‑quiet to fortissimo.
  • Integrate advanced bow patterns with expressive phrasing.
  • Demonstrate technical precision with a broad dynamic range.

Rhythm & Musicality

  • Interpret large‑scale structures with nuanced pacing and rhythmic freedom.
  • Highly refined phrasing with subtle note grouping & expressive rubato.
  • Convey emotional depth and stylistic authenticity.
  • Incorporate personal interpretive choices while meeting stylistic demands.

Levels are approximate guides, not strict requirements.