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From the Bones to the Fossils

by Paola Prestini

Instrumentation
Cello, Electronics
Composed
2018
Duration
10'
Publisher
Composer (self-published)
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About this piece

From the Bones to the Fossils is a ten-minute work for cello, loop pedal and electronics, commissioned by Golden Hornet for cellist Jeffrey Zeigler's Sound of Science project. Prestini developed it in dialogue with climate scientist Andrew Kruczkiewicz, who wrote a paper for her on Caribbean hurricane patterns, and the music traces a storm's currents toward the eye of a hurricane. The cello's vocal-style lines draw on Cuban folk songs in Lucumí, while the electronic track, made with Sxip Shirey, layers field recordings of foghorns, storms and the sea with the composer's voice; the title comes from Kruczkiewicz's closing words.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.