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Endless Romanian Traces

by Maya Badian

Instrumentation
Cello, Piano
Composed
2000
Duration
12'
Publisher
Lucian Badian Editions
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About this piece

Endless Romanian Traces is a 12-minute, single-movement work for cello and piano, written in 2000 on a commission from cellist Julian Armour, who gave the premiere with pianist Jean Desmarais at Tabaret Hall, Ottawa, on 21 January 2003. It opens with the piano playing the familiar Romanian dance tune Perinița and continues through fourteen short linked sections that alternate quick, playful dance tempos with slower cantabile and rubato passages. In her programme note, Badian describes the work as reshaping remembered folk melodies into concert music.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.