Skip to content

Psalm

by Ina Boyle

Instrumentation
Cello, Orchestra
Composed
1927
Duration
9'
Publisher
Faber Music (on behalf of the Ina Boyle Society)
More by this composer

Purchase or download

About this piece

A nine-minute single-movement work for cello and orchestra, written in 1927 and revised in 1928. Like most of Boyle's music it went unplayed in her lifetime. It was first played ninety years later, in October 2017, when Nadège Rochat recorded it with the BBC Concert Orchestra under Ronald Corp for Dutton Epoch's first album of Boyle's orchestral music. The piece is a slow, song-like meditation that opens with a free, recitative-like solo entry. It moves through several contrasting tempos and ends quietly with a pizzicato chord. The Ina Boyle Society also lists an arrangement for cello, harp and string orchestra.

Technical overview

The solo part is sustained and lyrical rather than virtuosic. Long passages sit high in the treble clef, with wide leaps into the upper register and frequent changes of meter, tempo and flat-heavy key. The main demands are tone, intonation and phrasing high on the A string over a full orchestra.

Technical focus

  • Thumb Position
  • Shifting
  • Sustain
  • Rubato
  • Meter Changes
  • Tempo Changes
  • Accidentals
  • Dynamics
  • Pizzicato

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.