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Bringing the Tiger Down from the Mountain II

by Alexina Louie

Instrumentation
Cello, Piano
Composed
1991
Duration
5'30''
Publisher
Canadian Music Centre (unpublished; printed by CMC)
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About this piece

A five-minute piece for cello and piano commissioned by the Canadian Music Competitions in 1991, with Canada Council support, as a competition test piece. In her programme note Louie explains that the title comes from a Tai Chi position, and that the piece sets an impassioned, unmeasured ('senza misura') solo section built on glissandi against a meditative passage in which cello and piano trade slow lines, reflecting the yin/yang principle. It has been played at youth competitions, and the Cheng² Duo programmed it on their 2011 Carnegie Hall debut recital. A version for cello and accordion also exists.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.