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A Reverie

by Rosalind Ellicott

Instrumentation
Cello, Piano
Composed
1888
Publisher
Fountayne Editions (FE196, modern edition, 2025); first published 1888
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About this piece

A short Andante tranquillo for cello and piano, first published in 1888, when Ellicott was making her name at the Three Choirs Festival. The only surviving source is a printed score in the British Library whose separate cello part is lost, so Fountayne Editions' 2025 edition reproduces that score with light editorial corrections and some added dynamics. The cello sings a long-breathed tune in the tenor range over steady repeated-chord accompaniment, with chromatic turns that lead into tenor-clef writing. Joseph Spooner and Michael Jones made its first recording (Dutton Epoch, Romantics in England, 2009).

Technical overview

The cello carries a sustained, slurred cantabile line that climbs out of first position to about E–F above middle C and moves into tenor clef by bar 16, with chromatic inflections and some hairpin shaping. Only the first page (bars 1–16) was seen; the later bars may go higher.

Technical focus

  • Legato
  • Sustain
  • Shifting
  • Accidentals
  • Hairpin Dynamics

Level rubric

Late Intermediate

Left Hand

  • Master positions up to 7th.
  • Use 5th–7th positions for high notes; early thumb position basics.
  • Learn treble clef for 4th, 5th, 6th positions.
  • Practice complex shifting with guide‑finger techniques.
  • Manage upper extensions; play double stops (thirds, fourths, sixths) with consistency.
  • Use continuous, selectively applied vibrato.

Right Hand

  • Develop advanced bow strokes: deliberate ricochet & controlled up‑bow staccato.
  • Execute quick string crossings & precise chord articulations.
  • Achieve wide dynamic range while maintaining tone.
  • Seamless transitions between spiccato and legato.
  • Execute multiple stops/chord rolls rapidly.

Rhythm & Musicality

  • Increased complexity: fast passages, intricate syncopation.
  • Detailed phrasing & structure; shape long phrases with rubato.
  • Combine expressive dynamics, vibrato & precise bowing techniques.
  • Further refine ensemble sensitivity & leadership.

Levels are approximate guides, not strict requirements.