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Grande Polonaise concertante, Op. 9

by Leopoldine Blahetka

Instrumentation
Cello, Piano
Publisher
Tobias Haslinger, Vienna (c.1826)
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About this piece

A single-movement concert polonaise (Polacca, Allegretto, in 3/4) for piano and cello, published by Tobias Haslinger in Vienna around 1826, while Blahetka was a touring teenage virtuoso, and dedicated to Madame Fodor-Mainvielle. As 'concertante' and the piano-first title suggest, the piano part is the larger and more brilliant of the two (about 17 engraved pages against a five-page cello part). The cello alternates sustained supporting lines with showy passagework in rapid sixteenths and thirty-seconds, chromatic runs and trills, and it moves freely between bass, tenor and treble clefs.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.