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Baile de Máscaras

by Alice Ping Yee Ho

Instrumentation
Cello, Guitar
Composed
2014
Duration
13'
Publisher
Canadian Music Centre (unpublished; printed by CMC)
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About this piece

A 13-minute work for solo cello and guitar quartet, commissioned by cellist Rachel Mercer and the Canadian Guitar Quartet, who premiered it on 3 August 2014 at the Ottawa Chamberfest in Beechwood, the National Cemetery of Canada. Its four connected sections (Prologue, Ballo, Epilogue, Masque) tell an imagined story of a love encounter at a masked ball, and the music draws on the warmth of Latin dance and on flamenco, with the guitars' strummed chords and rhythmic patterns underpinning the solo cello.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.