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Lagrima, E. 61

by S.C. Eckhardt-Gramatté

Instrumentation
Cello, Piano
Composed
1928
Duration
5'30''
Publisher
Plangere Editions
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About this piece

A short, song-like piece for viola or cello with piano (Lagrima is Spanish for 'tear'), written during Eckhardt-Gramatté's years in Barcelona in the late 1920s; the manuscript of this version is dated 16 September 1928 and marked as a second arrangement. Over a gently rocking chordal accompaniment, a plain, sighing melody builds to a short, fiercely chromatic climax in chords and double stops before returning to a quiet close. A 1978 recording by cellist Cornelius Herrmann and pianist Miriam Mahood is available online.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.