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Bridging the Day

by Sally Beamish

Instrumentation
Cello, Piano
Composed
1998
Duration
12'
Publisher
Norsk Musikforlag
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About this piece

A work for cello and piano of about 12 minutes in five linked sections (Day Break, Morning Shimmer, Midday: The Heron, Afternoon: The Brook, Sundown), commissioned by Dr Gerry Mattock for his 70th birthday and first performed by Steven Isserlis and Ian Brown at Painswick House, Gloucestershire, on 16 August 1998. It traces sunlight moving across the valley around Brook Cottage, the home Mattock shared with Beryl Calver-Jones, centring on a turf-covered footbridge he designed with a sundial set in its parapet; the resident heron gets its own rhythmic portrait. It began a long series of commissions from the couple and gave its title to Robert Irvine and the composer's 2001 BIS album.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.