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Sonata for Cello and Piano

by Sally Beamish

Instrumentation
Cello, Piano
Composed
2000
Duration
20'
Publisher
Edition Peters (Peters Edition Ltd)
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About this piece

A four-movement sonata of about 20 minutes, commissioned in 1999 by Beryl Calver-Jones and Gerry Mattock and premiered by Robert Irvine with the composer at the piano on 20 May 2000 at Strathgarry House, Killiecrankie, Perthshire. The patrons asked for musical portraits of four friends, so each movement is dedicated to one of them: a jazz-inflected Prelude, a restless Scherzo (following without a break) whose middle section nods to Thelonious Monk, a calm Ballad with birdsong, and closing Variations on a theme first stated in unison by both instruments. Irvine and Beamish recorded it on BIS's 'Bridging the Day' (2001).

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.