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Falling Angels

by Cecilia McDowall

Instrumentation
Cello, Piano
Composed
2007
Duration
8'
Publisher
Oxford University Press
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About this piece

An eight-minute meditation for cello and piano written for cellist Gemma Rosefield, who premiered it with pianist Nicola Eimer at the Purcell Room, London, on 7 January 2008 in the Park Lane Group Young Artists series. McDowall drew on John Berendt's book The City of Falling Angels, about Venice: long, spun-out melodies are set against broken, falling phrases over a gently rocking rhythm that evokes the lagoon. The title comes from a sign warning of falling angels that stood outside the church of Santa Maria della Salute in the 1970s, before its marble statues were restored.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.