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Lament

by Ellen Taaffe Zwilich

Instrumentation
Cello, Piano
Composed
2000
Duration
7'
Publisher
Merion Music / Theodore Presser Company
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About this piece

A seven-minute elegy for cello and piano, Zwilich's 2000 adaptation of her 1999 piano piece written in memory of Judith Arron, the late executive and artistic director of Carnegie Hall, where Zwilich held the first Composer's Chair. It is marked Liberamente (crotchet = 60). The publisher's note for the later double-bass version says its challenges are 'musical rather than technical': sustaining one line from start to finish, using rubato, shaping phrases and varying colour. Versions also exist for double bass and for saxophone.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.