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Concerto for Double Bass (or Cello) and Orchestra

by Elizabeth Raum

Instrumentation
Cello, Orchestra
Composed
1993
Duration
15'
Publisher
Canadian Music Centre
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About this piece

A three-movement concerto that Raum wrote in 1993 for the bassist David Ruby. The Saskatoon Symphony commissioned it for its Bach and Friends series, with support from the Saskatchewan Arts Board, and gave the premiere that season. In her note in the score, Raum says the concerto is deliberately Romantic in style to suit Ruby's taste. A heroic first movement leads to a dreamlike slow movement, and the finale's cadenza draws on material from all three movements. The same note says the concerto can also be played on cello and that the score includes a separate solo cello part. The orchestra is small: one each of flute, oboe, clarinet, bassoon and horn, plus strings.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.