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Fantasy for Cello and Piano

by Heather Schmidt

Instrumentation
Cello, Piano
Composed
2006
Duration
12'
Publisher
Canadian Music Centre (unpublished; printed by CMC)
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About this piece

A single-movement fantasy of about 12 minutes, commissioned by the Harvard Musical Association and premiered in Boston in April 2006 by cellist Shauna Rolston with the composer at the piano. It was the third piece Schmidt wrote for Rolston, after the Cello Concerto (1998) and Icicles of Fire (2003). The composer's note points out that the widely spaced double-stop tenths that open and close the work were new to her style; the middle section sets long, high cello lines against fast, repeated piano figuration in the extreme registers. Rolston and Schmidt recorded it on the album Icicles of Fire (Centrediscs, 2013).

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.