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Fantasy for Cello and Piano

by Vivian Fine

Instrumentation
Cello, Piano
Composed
1961
Duration
9'30''
Publisher
Vivian Fine Estate
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About this piece

A single-movement work of about nine and a half minutes, composed in 1961 and first performed at Carnegie Recital Hall in 1970 by cellist John Thurman and pianist Robert Guralnick. A few contrasting ideas heard at the start (a calm lyrical line, forceful accented material, chordal punctuation and tremolos) are developed through several changes of tempo, with fast virtuosic passages alternating with slower, expressive ones. Cello and piano are equal partners. In her note to the score Fine calls the idiom "a kind of musical abstract expressionism."

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.