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Stitch-te Naku

by Katherine Hoover

Instrumentation
Cello, Orchestra
Composed
1994
Duration
18'
Publisher
Papagena Press (distributed by Theodore Presser)
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About this piece

Stitch-te Naku is a one-movement concerto for cello and orchestra, about 18 minutes long, written in 1994 for cellist Sharon Robinson, who premiered it with the Rohnert Park Chamber Orchestra under Nan Washburn on 12 October 1996. Its programme follows a Southwestern Pueblo creation story about the Spider Grandmother who weaves the world: creation, a descent into chaos (with the sound of guns), a song of mourning, and a closing dance of renewal. Hoover drew on Native American musical ideas, and the cello's first entry emerges from the orchestral landscape in sliding microtonal figures. Robinson later played it with the Long Beach Symphony and the Women's Philharmonic.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.