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Sonata for Cello and Piano

by Miriam Gideon

Instrumentation
Cello, Piano
Composed
1961
Duration
18'
Publisher
American Composers Alliance (American Composers Edition)
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About this piece

Gideon's Sonata for Cello and Piano is a two-movement work of about 18 minutes, first issued in 1961 by the Composers Facsimile Edition of the American Composers Alliance. It is written in the freely atonal idiom Gideon adopted after studying with Roger Sessions. The first movement, marked agitato ma non troppo vivo, shifts constantly between 2/4, 3/4 and 3/8 and takes the cello into the treble clef early on. Copies are available from the American Composers Alliance, and a scan of the 1961 edition is on IMSLP.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.