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Uphill: from Clara to Robert

by Elisenda Fábregas

Instrumentation
Cello, Piano
Composed
2021
Duration
7'30''
Publisher
Hidden Oaks Music Co.
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About this piece

A single-movement piece for cello and piano, written for and dedicated to the duo of cellist Roger Morelló Ros and pianist Anna Khomichko. Fábregas took her starting point from the 16th-century Spanish poem "Sierra áspera" by Pedro Padilla, a text Robert Schumann also used. She links it to Clara Schumann's uphill struggle as Robert's carer, as a mother of eight, and as a pianist and composer who doubted that a woman could compose. The composer calls the piece her way of honouring Clara Schumann.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.