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Larghetto and Siciliana

by Victoria Yagling

Instrumentation
Cello, Piano
Composed
1967
Duration
5'30''
Publisher
Fennica Gehrman
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About this piece

Larghetto and Siciliana is a pair of short pieces for cello and piano that Yagling wrote in 1967. The score subtitles the Larghetto "a piece in ancient style": a slow, singing line over steady repeated chords in the piano. The Siciliana is a gentle dance in compound time that opens with a quiet, non-vibrato phrase on the G string and later moves into a faster più mosso section. The Larghetto has also been recorded on its own, by Raphaela Gromes and by the Reger Duo.

Technical overview

The Larghetto's melody lies mostly in thumb position on the A string, written in treble clef from the first bar, with slow slurred sixteenth-note turns and moves between tenor and treble clef. The Siciliana adds a high passage on the G string marked non-vibrato and then ordinario, a section in treble clef, and several changes of time signature.

Technical focus

  • Thumb Position
  • A String Notes
  • G String Notes
  • Shifting
  • Slurs
  • Vibrato
  • Hairpin Dynamics
  • Dynamics
  • Tempo Changes
  • Meter Changes
  • Collaboration with Piano

Level rubric

Early Advanced

Left Hand

  • Fully integrated thumb position; scales/arpeggios on A & D strings.
  • Smooth shifts into/out of thumb position for sustained high notes.
  • Frequent advanced double stops with rapid, coordinated shifts.
  • Accurate ornamentation (trills, turns, grace notes), even in double stops.
  • Expressively adjust intonation for chord balance.
  • Handle fast runs and large leaps precisely.
  • Introduction to false harmonics.

Right Hand

  • Virtuoso bow strokes: controlled up/down‑bow staccato, deliberate ricochet & well‑shaped sautillé.
  • Wide tone palette via precise bow adjustments.
  • Explore advanced effects (col legno, sul ponticello) as needed.
  • Capable of both powerful fortissimo and delicate soft notes.
  • Rapid switching among strokes in cadenzas/virtuosic passages.

Rhythm & Musicality

  • Apply rhythmic freedom & rubato to shape movements and cadenzas.
  • Personal interpretation with nuanced phrasing & subtle dynamics.
  • Mature tone and phrasing for solo and ensemble settings.
  • Demonstrate advanced ensemble leadership with visual cues.

Levels are approximate guides, not strict requirements.