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Delphi – What the Oracle Said

by Jessica Krash

Instrumentation
Cello
Composed
1997
Duration
8'
Publisher
Composer (self-published)
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About this piece

A piece for unaccompanied cello, about eight minutes long, written in 1997 and revised in 2014. Cellist Tanya Anisimova, a long-time collaborator of the composer, gave the first performance at Glen Echo Park, Maryland, in 1997 and recorded it on the album Past Made Present (Albany Records, 2018). A Fanfare review describes it as a meditation on glimpses of the future and the lasting effect of places, prompted by the composer's visit to Delphi as a young teenager.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.