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Wanderlied

by Betsy Jolas

Instrumentation
Cello, Other
Composed
2003
Duration
12'
Publisher
Alphonse Leduc (hire)
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About this piece

A twelve-minute concertante work for solo cello and fifteen instruments, written for Sonia Wieder-Atherton and the Nouvel Ensemble Moderne, who premiered it under Lorraine Vaillancourt in Marseille on 10 May 2003. According to the publisher's note, the title comes from 'Wanderpoem', a 1943 text by the composer's father, Eugène Jolas, and the piece is a wordless song that builds in one continuous crescendo from lyricism to a violent close. Jolas pictures the cellist as a wandering storyteller, with the ensemble as the crowd around her.

Technical overview

No technical overview is available yet.

Level rubric

Professional

Left Hand

  • Complete command of the fingerboard.
  • Proficient thumb position across all strings.
  • Execute complex double stops and rapid trills precisely.
  • Fast scales and leaps with precise intonation and speed.
  • Apply expressive techniques (portamenti, micro‑adjusted intonation) tastefully.
  • Easily execute false harmonics.

Right Hand

  • Seamlessly blends martelé, spiccato, sautillé, legato & ricochet.
  • Meticulous bow distribution for sustained lines or rapid passages.
  • Clear pianissimo to controlled fortissimo.
  • Economical, efficient bow movement with smooth transitions.
  • Employ advanced effects (ponticello, bow effects) artistically.

Musicality

  • Focus on a deeply personal, communicative performance.
  • Make interpretive choices reflecting deep understanding of form, style & emotion.
  • Convey nuanced phrasing, wide dynamic range & a unique artistic voice.
  • Craft dramatic cadenzas/solos with rubato, tone & expressive timing.

Levels are approximate guides, not strict requirements.